Judges, 2010-2011


The distinguished judges for The American Prize are as varied in skills and experience and nearly as geographically diverse as we hope the winners of The American Prize to be. They are assigned to specific competitions based on expertise and areas of interest.


If you are interested in being considered as a judge for any of our upcoming competitions, please see the “Call for Judges” under NEWS, or .


To read biographies, click on categories below:


Judges of Instrumental Performance, Composition & Conducting

Judges of Choral Performance, Voice & Conducting

Judges of Voice & Opera

Judges of Piano


***



David Katz, chief judge, Danbury, CT



***


Judges of Instrumental Performance, Composition & Conducting


Muncie, IN
Leonard Atherton (instrumental performance, conducting) joined the Ball State University School of Music Faculty in 1982. He is Music Director Emeritus of the Muncie Symphony Orchestra and former director of the Ball State Symphony Orchestra. Atherton has held music director positions with the Niagara Symphony Orchestra, the Greater Boston Youth Symphony Orchestra and the Young Artists Choral Program of the Boston University Tanglewood Institute, the National Symphony Orchestra of Bolivia and the University of Pennsylvania Choruses. He has appeared with the Minnesota Orchestra, the St. Paul Chamber Orchestra and Baltimore Symphony Orchestra. Atherton has conducted in Japan, Mexico, Thailand, Taiwan, Canada and England. Leonard Atherton served as the Cover Conductor for the Indianapolis Symphony Orchestra and honored as a Sagamore of the Wabash, Indiana’s civilian award, for his service in music to the State. He is a member of the Mentonring Committee of the Conductors Guild and Treasurer of the College Orchestra Directors Association.

Campbell, CA
Tony Clements (instrumental performance, conducting) was the Principal Tubist of the San José Symphony from 1981 until its closure in 2001. He subsequently became Principal Tubist and a soloist with its successor, Symphony Silicon Valley. Clements grew up in Brooklyn and Lindenhurst, New York, and began playing the tuba at age seven. He was taught by Julius Rubin and Bill Barber, the latter of whom played with Gil Evans and Miles Davis, before moving to California at fourteen. He attended college at California State University, Northridge, where he played tuba, bass trombone, euphonium and bass trumpet, and studied with Tommy Johnson and Roger Bobo before receiving symphony training with Mehli Mehta in the American Youth Symphony and Myung-Whun Chung in the Young Musicians' Foundation Debut Orchestra. During his tenure with the San José Symphony, he premiered a number of pieces for tuba and euphonium, as well as playing at music festivals and touring Japan as guest soloist with the California Polytechnic State University San Luis Obispo Wind Ensemble. He has also played with the San Francisco Symphony, San Diego Symphony, Oakland Symphony, Sacramento Symphony, San Francisco Ballet Orchestra and San Francisco Opera Orchestra. Clements is the conductor of Ohlone College's Wind Orchestra. In 2006, he was named Director of Bands at California State University, East Bay.
Sparta, NJ
Allen Cohen (instrumental performance, conducting, composition) received a doctorate in composition from the City University of New York, where he studied with Thea Musgrave, Bruce Saylor, and David Del Tredici. Currently Associate Professor at Fairleigh Dickinson University, he has taught at Hunter College, New York University, and Manhattanville College. He has received a Meet the Composer residency grant and many ASCAP Plus awards. Five of his compositions have been released on commercial compact discs. He has written incidental scores for films and off-Broadway plays, arranged dance music for five Broadway musicals, conducted on Broadway and elsewhere, and performed extensively as a pianist. He is the author of Howard Hanson in Theory and Practice (Praeger/Greenwood) and the popular children's book That's So Funny I Forgot to Laugh! (Scholastic), and co-author of Writing Musical Theater (Palgrave Macmillan). Website: www.allenlcohen.com
New York, NY
Peter Stanley Martin (instrumental performance, composition) (M.M. Rutgers; B.S. Hofstra) finds himself participating in the music industry in a variety of ways – conductor, author, guest speaker, clinician, editor, adjudicator, and educator. A trademark of Mr. Martin's musical personality is a true passion for American contemporary music and finding links between new and classic works of the repertoire. Currently Production Associate and Assistant Editor at G. Schirmer, Inc. & Associated Music Publishers, he collaborates daily with such contemporary masters as John Corigliano, Aaron Jay Kernis, Richard Danielpour, Yehudi Wyner, Mark Adamo, Joan Tower, and John Harbison on the creation, production, and performance of new works. For the past five years Mr. Martin has been part of the Board of Directors for the international conducting organization, Conductors Guild, as well as the editor of their quarterly newsletter, Podium Notes, and editor of The Journal of the Conductors Guild.
Freemont, CA
Helena Michelson (composition) is a composer currently based in Northern California. First trained as a pianist, she studied piano with Mack McCray at the San Francisco Conservatory of Music and, in master classes, with Richard Goode and Awadagin Pratt. She has completed her undergraduate studies in Music at the University of California, Berkeley and holds a doctorate in composition and theory from the University of California, Davis. She has been a participating composer in MusicX, a festival of new music at the University of Cincinnati College-Conservatory of Music in 2003, 2005, and again, in 2007, a composition fellow at the Composer's Conference at Wellesley College (2003) and Ernest Bloch Composers' Symposium (2004), and an invited composer at Domaine Forget in Quebec (2004) and June in Buffalo (2009). Her music has been performed and recognized by such groups and organizations as North/South Consonance, Berkeley Contemporary Players, Great Noise Ensemble, Le Nouveau Ensemble Moderne, Riverside and Berkeley Symphonies, as well as through commission from the American Composers Forum and Composer Assistance Program of the American Music Center. As a performer of her music, she has recently appeared at UAHuntsville New Music Festival 2010 and INNOVATION—New Music Festival 2009 at University of Central Missouri at Warrensburg.
Clemmons, NC
Born in Minnesota to a family of artists and scientists, Peter Perret (instrumental performance, conducting) is the Conductor Emeritus of the Winston-Salem Symphony, having served as Music Director from 1978 to 2004. Previously, Perret had served the Buffalo Philharmonic as Exxon/Arts Endowment Conductor for three years, and before that he was Principal Conductor of the Capetown Symphony (South Africa). He received advanced degrees in music from the Royal Conservatory of Brussels and the Academia Chigiana in Siena. He became the first staff producer of music programs for the French-Swiss television network. Perret frequently leads workshops on the relationship of music to learning and has co-authored the book (with Janet Fox), "A Well-Tempered Mind; Using Music to Help Children Listen and Learn," aimed at parents and teachers, published by the Dana Press in 2004 and 2006. He is a founding member and former chairman of the Board of Directors of the Arts Based Elementary School, a public charter school located in Winston-Salem, NC. Currently, Perret leads two New Horizons Bands, substitutes in the public schools (French and music) and writes reviews for the Classical Voice of North Carolina


Depot Bay, OR
Dr. Greg A Steinke (instrmental performance, conducting, composition) is retired, former Joseph Naumes Endowed Chair of Music/Art and Associate Dean of Undergraduate Studies, Marylhurst University, Marylhurst, Oregon; Associate Director, Ernest Bloch Music Festival ('93–97) and Director, Composers Symposium ('90–97) (Newport, OR); served as the National Chairman of the Society of Composers, Inc. (1988–97); currently Secty/Treas of Art Culture Nature, Inc. Composer of chamber and symphonic music and author with published/recorded works and performances across the U. S. and internationally; speaker on interdisciplinary arts, and oboist specializing in contemporary music. His most recent composition honors include: Finalist (of 4)- '01 Seoul International Composers Competition. Winner of Delta Omicron International Music Fraternity Composition Competition, '02. Honorable Mention - '02 "Britten-on-the-Bay" Composition Competition Series XIII (Saxophone Quartet). Special Mention – '03 USA International Harp Competition (Solo Harp). Finalist/Winner – '04 of COMA Open Score Project in England (Generic Quartet). Honorable Mention - '05, VIII International Composition Competition of the Corfu Festival (Guitar). Co-winner of First Prize – '08 2008 Areon Flutes International Chamber Music Competition (Flute Duet). Holder of 2009 Oregon Individual Artist Fellowship.


Philadelphia, PA
In January 2009 Jonathan Sternberg (instrumental performance, conducting) received The Conductors Guild's Award for Lifetime Service in recognition of long-standing service to the art and profession of conducting. Among the many orchestras with which he was affiliated as conductor during a long and distinguished career are the Shanghai Symphony Orchestra, the Vienna Symphony Orchestra, the Halifax Symphony Orchestra, the Royal Flemish Opera, Harkeness Ballet and Ballet Russe de Monte Carlo, the Mozarteum Orchestra of Salzburg, London Philharmonic Orchestra, L'Orchestre de la Suisse Romande, the Orchestre Lamoureux in Paris, and the orchestras of Warsaw, Prague, Berlin, Munich, Stuttgart, Basel, Brussels, Monte Carlo. For the Haydn Society, Sternberg made a series of pioneering recordings, initially of Haydn and Mozart, not least the 'Nelson Mass', 'Posthorn' Serenade and some dozen Haydn symphonies. Other recording premières under Sternberg included Schubert's Second Symphony, Rossini's Stabat mater, Prokofiev's Fifth Piano Concerto, Milhaud's Fantaisie Pastorale and Charles Ives's Set of Pieces. He is s also responsible for a number of world premières, including Rorem's Symphony No. 1. Maestro Sternberg recently retired from the position of Musical Director of the Bach Festival of Philadelphia and in January 2011 received the Max Rudolf Award from the Conductors Guild.


New York, NY
James Theobald (composition) is the composer of over three hundred works in all media, including opera, symphony, concerto, chamber music, cantatas, choral works, song cycles, "heads" for improvisation, electronic music, musique concrète, popular songs, film soundtracks, dance scores and incidental music. Former producer of Morning Music for WBAI in New York City, Theobald holds a Bachelor of Arts in Music Composition from Columbia University with additional study at Roosevelt University and the Hartt School of Music. As a journalist, Theobald has written many articles on new music for such publications at The Villager, The Brooklyn Phoenix, Ear Magazine and New Music Connoisseur. His compositions have been performed at the Abraham Goodman House, Weill Recital Hall the Ethical Culture Society, Greenwich House, Harlem School for the Arts, Lincoln Center Library, Symphony Space and the Museum of Modern Art, and by such organizations as Bargemusic, the Brooklyn Philharmonic, Lowell Philharmonic and the Spoleto Festival. Theobald's principal teachers in composition included Edward Miller, Jack Beeson and Edward Diemente.


Missoula, MT
Julia Vasquez (instrumental performance, conducting), of Missoula, Montana, has played flute and piccolo in the Missoula Symphony for the past 23 years. Earlier she was piccoloist in the Cedar Rapids, Iowa Symphony and taught at Cornell College. In 2000, she won the Convention Performers Competition and performed Gunther Schuller's Concerto at the National Flute Association's Columbus convention. She was also a winner in this competition in 2007 . She played in the Professional Flute Choir at conventions in Los Angeles and Boston, and was a guest soloist at the National Organ Convention in Chicago in 2006. Vasquez has performed extensively as a recitalist and soloist. She teaches flute privately and is principal flutist with the Missoula Children's Theatre. She received flute performance degrees from the New England Conservatory of Music and Northern IL University.

Judges of Choral Performance, Voice & Conducting



Saint Peter, MN
Associate Professor of Music Gregory J. Aune (choral performance, conducting) is in his fifteenth year as conductor of the Gustavus Choir. A 1976 graduate of Concordia College, Moorhead, Minnesota, he holds graduate degrees from the University of Iowa including a D.M.A. awarded in 1987. His postgraduate experiences include study and performance with the Robert Shaw Choral Institute at Carnegie Hall. At Gustavus, Dr. Aune conducts the Gustavus Choir, the Chamber Singers, and St. Ansgar's Chorus, teaches classes in conducting and choral literature, and serves as music director of the annual Christmas in Christ Chapel services. Choirs under his direction have twice appeared at conventions of the North Central ACDA and at conventions of the Kansas and Minnesota Music Educators Associations. Dr. Aune served as Music Director and Conductor of the Gustavus Symphony Orchestra in 2009-10. In addition to his choral work at Gustavus, Aune serves as Sanctuary Choir director at First Lutheran Church in St. Peter.


Denver, CO
Timothy Brown (choral performance, conducting, composition) holds a Doctor of Arts in Theory and Composition with a secondary emphasis in Choral Conducting from the University of Northern Colorado, a Master of Arts in Music Education and Voice from Goddard College and a Bachelor of Arts from SUNY-Fredonia. Currently a vocal music teacher in the Denver Public Schools, Dr. Brown is the winner of a Meet the Composer Grant and four ASCAP Plus Awards. His music can be heard on Beauport Classical and Capstone Records and includes works for string orchestra, brass quintet and chorus. Dr. Brown was a fellow at the Millay Colony for the Arts, the Melodious Accord Composers Workshop, the Virginia Center for the Creative Arts and the Weill Music Institute. He has worked with such distinguished composers as John Corigliano and Alice Parker, and conductors Marin Alsop and Harold Farberman. Brown is a member of the Conductors Guild, The League of American Orchestras, Chorus America and the American Choral Directors Association among many others.


New York, NY
Professor Daitz (choral performance, conducting) was a member of the Music Department, The City College/CUNY, for many years. She directed their chorus and vocal ensemble and taught both graduate and undergraduate courses in music history, theory, ear training, voice, and bibliography. After retiring from teaching she became music director of the Riverdale Choral Society and lead them on tours in Cuba and Estonia. Mimi Daitz has also been active as a musicologist, specializing in fin de siècle French vocal music and 20th-century Estonian choral music and has published numerous articles in both areas. In 2004 her book Ancient Song Recovered: The Life and Music of Veljo Tormis was published by Pendragon Press and has been hailed as a vital contribution to our knowledge of one of the most important composers of choral music in the second half of the 20th century. In 2010, volume I of the 5-volume complete, critical edition of the songs of Fauré, which she co-edited with Jean-Michel Nectoux, was published in Paris by Leduc.


Thomas, OK
Daniel Farris (voice, choral ensembles, conducting) is assistant professor of music and vocal area coordinator at Southwestern Oklahoma State University. Before moving to Weatherford, Daniel worked professionally as a music educator, performer, and voice teacher across the Dallas/Fort Worth area and in San Angelo, TX since 1996. He has conducted honor choirs in Texas and Oklahoma, including the Tri-State Honor Choir (2011 and the coming 2012 festival), SWOSU Chaumber Choir (OMEA 2011), the Western Oklahoma Choral Directors Association Junior High Honor Choir (2008), the Arlington High School Colt Chorale (TMEA 2005), and various other ensembles. Daniel has performed with the Dallas Opera Chorus (2001-2002), and has performed with choirs in Italy and England. This fall, he will be a choral scholar for the Arts District Chorale in Dallas, TX.. Daniel completed his doctor of musical arts degree in conducting from the University of North Texas.
Winfield, KS
David B. Gardner (choral performance, conducting) (DMA, The University of Arizona) is Director of Choirs at Southwestern College in Winfield, Kansas. He is the recipient of numerous awards, including a second-place finish in the graduate division of the 2001 American Choral Directors Association National Student Conducting Awards Competition. Dr. Gardner's Carnegie Hall conducting debut was in March of 2005, and he appeared there most recently in March of 2010 under the auspices of Distinguished Concerts International, New York. In 2008, the Southwestern College choir sang under his direction during Easter Sunday Mass at the Basilica of St. Mark in Venice. In 2002, he was selected to lead the Grammy Award winning Oregon Bach Festival Choir and Orchestra under the tutelage of Maestro Helmuth Rilling in the Oregon Bach Festival Masterclass in Conducting. Dr. Gardner is the President-Elect for the Kansas chapter of the American Choral Directors Association, and is a charter member of the National Collegiate Choral Organization.
Albany, NY
David Griggs-Janower (choral performance, conducting) is founding conductor and Artistic Director of Albany Pro Musica, Albany, NY, and Director of Choral Music and Professor at the University at Albany, State University of New York, where he has taught since 1981. Dr. Griggs-Janower did undergraduate and masters work in music theory and music history at Cornell University. He holds Master of Music and Doctor of Music degrees in conducting from the Indiana University School of Music where he studied with Dr. Julius Herford, Fiora Contino and Margaret Hillis. He has been on the faculties of Williams College, the University of North Carolina at Greensboro, Skidmore College, the Oregon Bach Festival (under Helmuth Rilling) and the Aspen Music Festival Choral Institute. He has served as musical director and guest director for many area groups including the Berkshire Bach Society in Great Barrington, Massachusetts.


Keene, NH
Dr. Sandra Howard (voice, choral performance, conducting) serves as assistant professor of music at Keene State College in Keene, NH with a focus on choral and general methods, supervising student teachers, conducting Canticum Novum and the Chamber Singers of Keene. She earned a bachelor degree of music education and master's degree in vocal performance from the University of Maine and a Ph.D. in music education and curriculum/instruction from the University of Missouri-Kansas City. She taught grades 7-12 choral and general music in New Hampshire, served on adjunct faculty at Granite State College, Blue River Community College, and the University of Missouri-Kansas City. Dr. Howard has worked with singers of all ages including preschoolers to senior citizens and is an active conductor/clinician for honor choruses across the United States. Dr. Howard has presented at regional and national conferences for SRME, MENC, and ACDA. Dr. Howard's scholarship has been published in the Missouri Journal of Research in Music Education and Teaching Music.


Keene, NH
Dr. Carroll J. Lehman (voice, choral ensembles, conducting) holds a MA and a DMA in Vocal performance and Pedagogy from the University of Iowa. He has been director of choral/vocal at Keene State College since 1978. He teaches private voice, conducting, opera workshop, vocal pedagogy, diction and literature. As a singer, Dr. Lehman performed numerous opera roles and many of the bass solos in the choral masterworks. His teachers included Albert Gammon, Hermanus Baer, Leon Lishner, and Rudolf Knoll. Dr. Lehman just retired from twenty years as the conductor and music director of the Monadnock Chorus and Orchestra in Peterborough. NH. where they performed many of the major choral masterworks to audience and critical acclaim. Under his direction, they made four international tours and in April of 1998 made their Carnegie Hall debut under his baton. He also conducted the New Hampshire Friendship Chorus on a tour of Russia, Latvia and Estonia in the summer of 1992, South Africa in 1998 and China in 2006. He has studied conducting in workshops with numerous conductors including Robert Shaw, Robert DeCormier, Albert McNeil, Elmer Isler and Helmut Rilling.


Laurinburg, NC
William McConnell (choral performance, conducting) is Music Program Coordinator, Director of Choirs and Associate Dean for Adult and Extended Programs at St. Andrews Presbyterian College. He is active as a conductor, collaborative pianist, choral adjudicator and singer. He has served as Artistic Director of Carolina Voices, a Charlotte, NC-based community choral organization. His experience extends to opera and musical theatre including engagements with the Gilbert Theatre and Light Opera Oklahoma. He has prepared choirs for such notable conductors as Erich Kunzel, Robert Porco, Kenneth Jean, and Keith Lockhart. He has held faculty appointments at Oklahoma State University, the University of Tulsa, and Oral Roberts University. He holds the DMA in Choral Conducting from the University of Cincinnati College-Conservatory of Music and the MM in Choral Music Education from East Carolina University. He is an active member of ACDA, Chorus America, College Music Society, and MENC. He currently serves ACDA as National Repertoire & Standards Chair for College and University Choirs.


Notre Dame, IN
Nancy Menk (choral performance, conducting) holds the Mary Lou and Judd Leighton Chair in Music at Saint Mary's College, Notre Dame, Indiana, where she is Professor of Music and Director of Choral Activities. She holds the B.S. and the M.A. degrees in Music Education from Indiana University of Pennsylvania, and the M.M. and the D.M.A. degrees in Choral Conducting from the University of Cincinnati College-Conservatory of Music. Her teachers have included Earl Rivers, Elmer Thomas, Helmuth Rilling, and Teri Murai. At Saint Mary's College, Dr. Menk conducts the Women's Choir and the Collegiate Choir, teaches conducting, and prepares the Madrigal Singers for the annual Christmas Madrigal Dinners. Under her direction, the Women’s Choir has performed at the American Choral Directors Association national convention in Los Angeles in February 2005, and has recorded four critically acclaimed compact discs of music for women’s voices on the ProOrgano label. Dr. Menk also teaches graduate conducting at the University of Notre Dame. She has conducted All-State Choirs in Colorado, Delaware, Indiana, Kentucky, North Dakota, and Pennsylvania. In February 2010 she made her fifth appearance conducting at Carnegie Hall.
Lexington, MA
Brian O'Connell (voice, choral performance, conducting) is the Founder/Director of the Sarteano Chamber Choral Conducting Workshop in Tuscany, where he will be joined by Simon Carrington and Bronislawa Falinkska for their seventh consecutive year. Brian teaches choral methods in the graduate program at The Boston Conservatory; conducting, vocal pedagogy and choral methods at UMass/Lowell and is the choral director at the Cambridge Rindge & Latin School. For fifteen years he was director of the Concert Choir at Berklee College of Music, and for nine of those years he also served as Chairman of the Voice Department. Brian has held faculty appointments at Tufts University, New England Conservatory, Boston University and Northeastern, and is a past director of the Handel & Haydn Society Youth Chorus. He is the recipient of numerous awards and grants; in 2005, Brian was the first recipient of the Massachusetts ACDA award for Choral Excellence.
Fresno, CA
Michael Ogdon (choral performance, conducting) holds a Bachelor of Music in Music Education from Biola University, La Mirada, California and a Masters in Choral Conducting earned from San Jose State University. He was privileged to serve simultaneously as the graduate assistant to both Dr. Lauren Jakey's orchestra and Dr. Charlene Archibeque's choral program. Mr. Ogdon has spent twenty years in full time music ministry in churches ranging in size from five to five-thousand members. He has served as adjunct faculty at Fresno State University and was Chairman of Music and Fine Arts at Arizona Bible College in Phoenix. Mr. Ogdon recently returned to public and private school music education in Fresno, California. He now teaches elementary, junior high, and senior high choirs, bands and auditioned ensembles. Michael Ogdon is an accomplished arranger, composer, vocalist and performer on trumpet and keyboards.
Edmond, OK
Dr. Bonnie Borshay Sneed (voice, choral ensembles, conducting) became the Director of Choral Activities and Associate Professor of Music at Southwestern Oklahoma State University in Fall of 2009. She has conducted college choirs, taught conducting and prepared university choral students in Michigan, Alabama, Oklahoma, Ohio and Texas. She also has taught high school in South Carolina, Florida and Texas. Dr. Sneed made her Carnegie Hall conducting premiere in March, 2007, performing Vivaldi's Gloria with high school students and a New York City orchestra. In 2008, she conducted the Brahms' Requiem in Bulgaria as an invited conductor for the Varna International Conductor's Workshop. Dr. Sneed has embarked on two tours of Europe with the UAHuntsville Choirs. In 2004 she conducted the Morski Zvutsi community choir of Varna, Bulgaria in the sixth annual Varna International Conductors' workshop in which six of her students participated as singers. In 2006, Dr. Sneed conducted the Denison University Chamber Singers and Orchestra in an eight-day tour of Italy, including performances in the Duomo in Florence, Venice and Milan. Also in 2006, she served as Guest Conductor and Soloist at Christ Church, Oxford. Dr. Sneed earned the BM in Music Education from Furman University, and the MM in Choral Conducting from Southern Methodist University. The DMA in Choral Conducting was granted from Michigan State under the direction of Charles K. Smith. She served as Secretary for the National Collegiate Choral Organization until 2010.
Mechanicsburg, PA
An active presenter and music educator, Kyle Weary (voice, choral performance) is the Vocal Music Department Lead Teacher for the Barbara Ingram School for the Arts in Hagerstown, MD. Recently, Kyle's high school choral ensemble had their first Carnegie Hall appearance singing under the direction of Eric Whitacre in the premiere of his new opera: "Paradise Lost: Shadows and Wings" as well as having the opportunity to sing as the backup choir for Todd Rundgren's fall 2010 tour. Kyle's choir has also been invited to sing at the 2011 inauguration of Martin O'Malley, Governor of Maryland. Kyle has a Bachelor of Music Education (vocal emphasis) and Master of Music in Conducting from Shenandoah Conservatory of Music. Kyle is also a graduate of the Contemporary Commercial Musical Theatre Vocal Pedagogy Institute. Kyle has completed additional graduate studies at Indiana University of Pennsylvania, Villanova University and Westminster Choir College. Kyle has appeared on stage with Marvin Hamlisch, Julie Andrews, Elaine Stritch, Brian Stokes Mitchell, Dana Reeves and Barbara Cook. Music and stage direction credits include: Beauty & the Beast, The Lion, the Witch and the Wardrobe, and A Night of Broadway, Willy Wonka Jr. (central PA premier), The Last Five Years, Thoroughly Modern Millie and Phantom of the Opera. Kyle has studied voice with Dr. Bryon Jones, Dr. Kathryn Green, Jeannette LoVetri and Bob Marks and he has studied conducting with Dr. Karen Keating, Grammy Award winning conductor Robert Shafer, and Dr. Elizabeth Schauer. Kyle's service has included online Chorus Mentor for MENC's national website. Kyle is currently a candidate for National Board Certification.

Judges of Voice & Opera



Alpine, TX
Donald Callen Freed, (voice) Associate Professor of Vocal Music at Sul Ross State University, Alpine, Texas, previously served as Instructor of Music at Hastings College, Hastings, Nebraska, as Visiting Instructor of Voice at the University of Nebraska-Lincoln and Instructor of Vocal Music at Peru State College. He holds the Ph.D. in vocal pedagogy and the M.M. in voice from the University of Nebraska-Lincoln, and the B.M. in vocal music from Nebraska Wesleyan University, Lincoln. Additional studies were at the University of Iowa, Roosevelt University, and Oberlin College. Freed's teachers have included Donna Harler-Smith and Thomas Houser. He was one of twelve participants for the first National Association of Teachers of Singing intern program in 1991, where he studied with the late Barbara Doscher. He also has sung in several master classes with the late Richard Miller, noted voice pedagogue at Oberlin College. Dr. Freed is a published choral composer with Moon of Hope Publishing, Yelton Rhodes Music, Tetra/Continuo, and Coronet/Theodore Presser, receiving ASCAP composition awards from 2001 through 2010. His articles have appeared in The Choral Journal, for which he is a reviewer of books and music, The NATS Journal, and the Journal of Singing. He has presented papers, compositions, and lecture recitals at The College Music Society Great Plains and South Central Chapters, the National Association of Teachers of Singing, the Fourth International Conference on the Physiology and Acoustics of Singing, and the Nebraska and Texas Music Educators Associations. A stroke survivor, he is a member of VSA Arts and interested in voice rehabilitation.
Los Angeles, CA
Canadian soprano Anne Harley (voice and opera) specializes in performing music from early oral and written traditions, and in creating new works by contemporary composers. She has appeared as a soloist across North America and Europe with The Handel & Haydn Society, The Boston Camerata, Opera Boston, Opera Unlimited, The American Repertory Theatre, The Banff Centre for the Arts and at the Tanglewood Festival. In 2009-10, she premiered the role of Margaret Mead composed for her by Evan Ziporyn in the world première of his dance-opera "A House in Bali", in the Water Palace Theater in Ubud, Bali, and then subsequently performed the work at the BAM Next Wave Festival. The Boston Globe acclaimed her performance as Harper Pitt in the American première of Peter Eotvos's "Angels in America" as "vocally and dramatically outstanding." The Village Voice described her singing in the Boston Camerata's American Shaker program at Brooklyn Academy of Music as transmitting a "heart-wrenching purity." She has also performed as soloist in many standard oratorios of the baroque, and débuted in Europe at Amsterdam's Concertgebouw as the lead in Handel's Acis and Galatea. Her solo performances have been released on Naxos, Sony Classics, Dorian, and Musica Omnia, among others and she is a voting member of the Grammys. In 2000, she founded the ground-breaking early Russian music ensemble, TALISMAN, with Dr. Oleg Timofeyev (). Their first recording project won the Noah Greenberg award of the American Musicological Society. She received the doctorate in historical performance with a concentration in voice from Boston University (2006), and in 2009, joined the faculty of the Music Department at Scripps College.
Peterborough, NH
Dean FH Macy, (voice, opera) DMus/DLit, known as Dr. Dean by his artists, has been teaching children and youth to sing professionally since the early fifties when he and three others created the CTW (Children's Theater Workshop) in New York for Actors Equity, to teach children about what their parents did in Broadway shows. Writing and staging musical plays for them to act and sing, the CTW later evolved into the famous educational TV show, "Sesame Street". Dean has professionally taught and managed many youth in the New England area, primarily Kathryn Alison Acker (NBC), Meredith Ryan Packer (ABC), Jillian Lee Wheeler (IMDB), Emily Hamilton (Disney Cruises), Abby Rose (B'way), and Amber Whitney, who has appeared on three CDs and in many concerts, and soon at Carnegie Hall. Dr Dean, himself a lyric tenor, has performed and toured with the Metropolitian Opera, the NY Philharmonic and with several other symphonies. He directed the Mormon Tabernacle Choir and Utah Symphony in performance at the Hollywood Bowl in addition to singing with Andy Williams in his television specials.
Greencastle, IN
Countertenor Jay White (voice, opera) has appeared with major early music ensembles across the U.S. Sought after as an interpreter of medieval, renaissance and baroque repertoire, he has performed at national and international early music festivals. Dr. White sang eight seasons with the internationally acclaimed ensemble, Chanticleer, with whom he traveled to five continents, appearing in major venues throughout the world, and with whom he recorded 14 albums, including two Grammy Award-winning recordings. Dr. White has also been heard on National Public Radio and Public Radio International programs throughout the world. Having received his training at Indiana University's Jacobs School of Music and the School of Music at the University of Maryland, Dr. White has taught at the University of Maryland, the University of Delaware, and is currently an Assistant Professor of Music at DePauw University (IN).

Judges of Piano



Lima, OH
Dr. Michael Benson (piano) is on the music faculty at The Ohio State University at Lima where he teaching piano, group piano, music theory and serves as Director of Choral Activities. Other teaching responsibilities include art education courses as well as special topics classes on Bob Dylan, American Popular Music and interdisciplinary classes addressing American Popular Culture. He has performed at the Smithsonian Institution, Steinway Hall, and Preston Bradley Hall on the Dame Myra Hess Memorial Concert Series and has contributed articles to Texas Music Teacher, American Music Teacher, Teaching Music, Keyboard Companion, Clavier and the on-line journal Piano Pedagogy Forum. During Fall 2001, he taught piano as a foreign expert in the Art Education College of JiMei University in the Peoples Republic of China. Other important teaching responsibilities include his pre-college piano students and the enthusiastic summer piano students at the Bowling Green State University Piano Camp and the Summer Art Camp at Interlochen. He holds degrees in piano performance from the Shepherd School of Music at Rice University where he studied with Robert Roux and The University of Texas at Austin where he studied piano and piano pedagogy with Martha Hilley, Sophia Gilmson and Nancy Garrett.


Manhattan, KS
Slawomir Dobrzanski (piano) is a versatile pianist frequently performing as a soloist and chamber musician. His recent performances in the United States include concerts in New York City, Los Angeles, Washington, D.C., Gettysburg, Pennsylvania, Providence, Rhode Island, Corpus Christi and Las Cruces in Texas, Miami, Fort Lauderdale and West Palm Beach in Florida. His overseas activities have taken him to Peru, Argentina, Spain, Poland, and China. Slawomir Dobrzanski taught piano at the University of Rhode Island and at Concordia College in Moorhead, MN. He joined the Music Department at Kansas State University in 2005, where, in addition to teaching piano and piano literature, he also serves as the Chair of Keyboard Studies. He is a graduate of the prestigious Chopin Academy of Music in Warsaw, Poland. He has also studied at the University of Kansas, the Lucerne Conservatory in Switzerland and at the University of Connecticut, where he completed his doctorate in piano performance in 2001. Dobrzanski has recorded solo and chamber music by Witold Lutoslawski, Karol Szymanowski, Frederic Chopin, Stefan Kisielewski, Artur Malawski (complete piano solo music), Feliks Rybicki, Carl Tausig, and Johannes Brahms for Polish Radio and Television in Warsaw, Poland.


Denver, CO
Tamara Goldstein (piano) enjoys a diverse career as a chamber musician, teacher, and soloist. She is currently associate professor and director of keyboard studies at Metropolitan State College of Denver and artistic director and founder of the annual festival, Piano Celebration. Since 1999, Ms. Goldstein has been assisting violin pedagogue, Paul Kantor, at the Aspen Music Festival during the summer seasons. Ms. Goldstein holds degrees from Indiana University, The Juilliard School, and the University of Colorado at Boulder and studied with Abbey Simon, Gyorgy Sebok, Angela Cheng, Brigitte Engerer and Mutsumi Moteki. She has performed in duo recitals with artists including Leone Buyse, Carol Wincenc, Jesse Levine, Ida Levin, and Judith Christin, and was pianist for the Colorado Chamber Players from 1995-2005. She received high praise for the 2008 CD "It's All Relative" with members of the Denver Brass and the Cleveland Symphony Orchestra and for "American Spirit" with the St. Martin's Chamber Choir. A frequent concerto soloist with many Denver-area orchestras, her upcoming appearances include a return tour to Japan with the Denver Municipal Band and recitals in Georgia, Louisiana, Kansas and Colorado with artists including Justin Bruns, Pamela Endsley and Marianne Gedigian. For more information visit .
Little Rock, AR
Pianist Linda Holzer (piano) professor of music, joined the faculty at UALR in August of 1995. In June 2001, she was named College Teacher of the Year by the Arkansas State Music Teachers Association. Dr. Holzer is an active soloist and chamber musician who has been heard in concert at the John F. Kennedy Center for the Performing Arts, the New Orleans Center for Creative Arts, New York Public Radio Station WNYC-FM, Noon Time Concerts at St. Patrick's Cathedral in San Francisco, and as concerto soloist with several orchestras. Prior to her appointment at UALR, Dr. Holzer served as an artist-in-residence for four seasons, performing under the auspices of the North Carolina Visiting Artist Program. An advocate of American music, she has participated in numerous world premieres, including two with the North Carolina Symphony conducted by Gerhardt Zimmerman. As an author, Holzer has been published in several leading professional periodicals. Her article, "Where the Sidewalk Ends: Career Guidance for Music Majors," published in American Music Teacher magazine, won the prestigious "2003 Article of the Year" award. Her articles on composers Ellen Taaffe Zwilich and William Bolcom appeared in Piano & Keyboard magazine; her article on Florence Price was published in Clavier. She has performed in 23 states, as well as abroad in Europe (Bratislava, Vienna), and Asia (Hong Kong, and Qingdao, China).


Philadelphia, PA
Joann Marie Kirchner (piano) is the Coordinator of Secondary Piano at Temple University in Philadelphia, Pennsylvania, where she teaches applied piano, class piano and piano pedagogy. She holds a BM in Piano Performance from the Philadelphia College of the Performing Arts, an MM in Piano Pedagogy from Temple University and a Ph.D. in Music Education/Piano Pedagogy from the University of Oklahoma. Dr. Kirchner has published in American Music Teacher, Keyboard Companion, Medical Problems of Performing Artists and Piano Guild Notes. She has presented at the National Music Teachers Convention, the National Conference on Keyboard Pedagogy, the College Music Society National Conference, the Hawaii International Conference on Arts and Humanities and for numerous state and local music teachers organizations. Dr. Kirchner is active in the Music Teachers National Association (MTNA), where she serves as the Pennsylvania State Certification Chair and is the Co-President for the Philadelphia Music Teachers Association. Kirchner is also a member of the Research Committee for the National Conference on Keyboard Pedagogy. Her research interests include musical performance anxiety, the relationship between flow and musical performance anxiety and intermediate teaching repertoire. Kirchner also serves on the piano faculty at Chestnut Hill College in Philadelphia, Pennsylvania.